The online art exhibit Skewed Demographic brings together artists to address the racial disparity in the bone marrow registry. Each piece in the online gallery is being auctioned off with proceeds going towards processing bone marrow testing kits.
Photographers Shirin Adhami and Sunita Prasad curated show in honor of Photojojo founder Amit Gupta and other South Asian leukemia patients. Adhami first met Amit Gupta when both were undergraduates at Amherst College a decade ago. When Gupta first announced his diagnosis and his need for a bone marrow donor, Adhami was one of his many friends who rallied to action.
“Personally, I was working on doing drives and I was thinking of doing a more symbolic gesture,” said Adhami during a recent phone interview. “How could I reach an audience that maybe couldn’t donate marrow? How could it be more than a request for money?”
Adhami decided to put the call out to her contacts to see if they would be willing to donate their work to the cause. “The idea is photo-based, but the artists are not necessarily all photographers. The inspiration is really from Amit’s photo interest,” she said. “There were times that I have not even realized I was using one of his inventions until much later. He has really affected the photo world with Photojojo.”
In her one-woman show Unladylike: The Pitfalls of Propriety, comedian Radhika Vaz tackles subjects like “proper” female behavior, modern relationships, and the ubiquity of bikini waxes. Having recently returned from touring India, Vaz will be performing Unladylike at the The Producers Club in New York City on Friday, December 9. I recently had the chance to ask her a few questions about the show.
What inspired you to write Unladylike?
I had been doing improv for a really long time and then I started writing monologues. I always wanted to do a one-hour show on my own for a few reasons. I was auditioning for parts and wasn’t getting anything. You know, I am practically 40. I am Indian with an Indian accent, I’m not even an Indian with an American accent, so I wasn’t fitting into any of the roles. Writing the show was what really pushed me out there.
Stories about your husband and family often appear in your work. Have any of your relatives ever told you that something was off-limits?
No, they haven’t. I definitely do believe that I have to at least show them the piece before I post it to my blog. Most of my pieces start out on the blog, I usually post it before it is performed.
I remember I posted something once and my husband was like, “You really should have shown me this before you posted.” If it is something related something like alcohol abuse or anything embarrassing, I show it to them. When writing about my friends I change names a lot.
Read the rest of the interview at Sepia Mutiny.
Image credit: Katarina Kojic Photography and Design.